• About
  • Publications
  • News
  • Events
  • Book
  • Contact
  • Home
  • Blog
  • What Never Leaves
  • Menu

Daniel Tam-Claiborne

Travel Breeds Content
  • About
  • Publications
  • News
  • Events
  • Book
  • Contact
  • Home
  • Blog
  • What Never Leaves
Subscribe
Munich, Germany.

Munich, Germany.

Day 22: Oktoberfest

February 07, 2021

“Just make sure to pace yourself,” a young German couple at Maurushaus told us before they left. We were sitting at the breakfast table, picking from the buffet spread of eggs, cereal, and cold meat on bread, and laying down a foundation that I would be grateful for later. Pace myself? No sweat. A single White Claw is often enough to leave my entire body red and hot as a sitting kettle. If there’s anything I know about drinking, it’s moderation.

After the train ride back to Munich, we dropped off our bags at the Airbnb where our affable host, Tom, tried to answer any questions we had. “My friends reserved a table,” he said sheepishly. “I’m not sure what state I’ll be in later.” It took until I arrived to understand how it all worked. The festival itself was like Coney Island without the beach: food stalls, carnival games, unicorn balloons and chocolate hearts, souvenir shops bedecked in streamers, and, of course, beer halls. There were only six registered beer halls allowed on site, and we went to three of them.

Shocking to us, all the places served only one kind of beer—an amber lager simply called Oktoberfest—in addition to a shandy and a non-alcoholic beer, all for the same price. Naturally, we bought the Oktoberfest. Arriving after the lunchtime rush and before the dinner crowds, we were able to snag seats without trouble. At the first tent, Ochsenbraterei, we struck up a conversation with a German family with whom we were sharing a long table, enjoying traditional music from a live band on a raised platform inside the voluminous Big Top.

We moved on to some people watching at Hofbräu Haus next, well-known to attract the most obnoxious and raucous Americans. It was your typical mad haus, with pretzel hawkers filling the aisles and people standing up on tables, only to get yanked down by security (this, in an effort to condemn the spectacle and not, as we’d previously believed, to rush them to the hospital). With half of my second liter of beer to go—and a perverse inclination to want to buy a plush hat in the likeness of a chicken—I knew I had reached my limit. “I’ll be right back,” I said to Courtney, before calmly puking my guts out in the bathroom.

Newly refreshed, I returned to the table, only to find that Courtney had finished not only her stein but mine. “You looked like you needed help,” she said, goading me in the woodland-print dirndl she’d bought in Füssen. We sauntered up to our third and final tent, anxious to try the roast chicken we’d heard so much about. But while Courtney was making conversation with three new friends from Minnesota (one of whom was already fast asleep on the table), I quietly ate the entire chicken myself.

Feeling terrible, and charged with the new responsibility of making sure Courtney got to some sustenance, I navigated us to the only place I knew how: a Chinese restaurant. At night, coming back from dinner, we stopped in front of the Pinakothek der Moderne, touted as having one of the largest modern art collections in Europe. Outside was a curious exhibit, a UFO-like structure with a bright glowing interior. We pressed our faces up to the glass, peering inside like eager kids.

“Don’t you wish this could transport us back home?” Courtney said, with a hiccup. It was peaceful and dark, and we still had another mile to our Airbnb.

Without warning, we started chasing each other around the vast, empty courtyard and laughing, the sound of our voices hurtling toward the sky. We lay down in the grass, looking up together at the stars. Courtney rested her head on me; it was warm against my chest. No, I thought to myself. There was nowhere I would rather be.

Tags: Euromoon
Prev / Next
No results found

Latest Posts

Featured
Climate-Artist-VOD-Artwork.jpg
November 25, 2024
Climate Artists
November 25, 2024

Climate Artists is a five-part documentary series that explores how the climate crisis informs and inspires artistic expression. Through the lens of diverse artistic mediums, the series illuminates what can happen when art intersects with environmental advocacy, and how artists can use their work to engage awareness and foster compassion for our planet.

Climate Artists is a co-production of ALL ARTS and The Serica Initiative.

Watch at PBS.

Read more →
November 25, 2024
30-band-steps.jpg
November 11, 2024
Pink Martini's America
November 11, 2024

Thomas Lauderdale never intended to become a professional musician.

This may be surprising, considering that Lauderdale is best-known as the charismatic band leader of Portland’s self-described “little orchestra,” Pink Martini. With twelve albums featuring songs in twenty-five languages, Pink Martini’s music deftly fuses classical, jazz, and old-fashioned pop to create an eclectic and timeless aesthetic that is entirely their own. Now entering its 30th year, Pink Martini has sold millions of albums, and tours their world-renowned repertoire 150 days out of the year, across the globe. “If the United Nations had a house band in 1962,” Lauderdale has said, “hopefully we’d be that band.”

Read more at All Classical Radio.

Read more →
November 11, 2024
Portland-branding-photographer-kenji-bunch-8.jpg
August 6, 2024
Keep the Joy Intact
August 6, 2024

Long before Kenji Bunch established himself as one of America’s most influential and prolific composers, he came to classical music in a way familiar to many young Asian Americans. “For a long time, I’ve tried to come up with any other reason, something somehow more intelligent,” he said. “But what I’ve realized is that I saw classical music as my calling largely because it made my parents happy.”

Read more at All Classical Radio.

Read more →
August 6, 2024
Juju-Chang-Qian-Julie-Wang-Jose-Antonio-Vargas-Mira-Jacob.jpg
June 12, 2024
Voices Rising: What's Next for Asian Americans in the Arts?
June 12, 2024

Hosted by Juju Chang, the Emmy Award-winning anchor of ABC News Nightline, Voices Rising: What’s Next for Asian Americans in the Arts? delves into the pressing issues and opportunities Asian American artists face today.

Featuring in-depth conversations with distinguished panelists; including BD Wong, David Henry Hwang, Rosalind Chao, Jose Antonio Vargas, Qian Julie Wang, and Mira Jacob; and interspersed with performances by Naomi Funaki, Mikiya Ito, and Pooja Reddy; this special comes at a crucial time when anti-Asian hate is on the rise, yet there is also a remarkable celebration of Asian American talent at the national level. 

Voices Rising: What’s Next for Asian Americans in the Arts? is a co-production of ALL ARTS, Exploring Hate, and The Serica Initiative.

Watch at ALL ARTS.

Read more →
June 12, 2024
IMG_2032.jpg
November 22, 2023
Friend in Me
November 22, 2023

It was the kind of movie theater that didn’t have a marquee. Grand Avenue Cinemas was located on a dismal stretch of Long Island, sandwiched unceremoniously between a liquor store and a Dollar Tree. The four of us had driven there from Jones Beach, the sun waning in the sky, on the kind of perfect summer day that seemed to signal that the summer was coming to an end.

Read more →
November 22, 2023
Archive
  • Bay Area
  • Beijing
  • Euromoon
  • Ithaca
  • Japan
  • Kenya
  • New Haven
  • New York
  • Oberlin
  • Seattle
  • Taigu
  • Taiwan